This feature is intended to offer clear insight into a particular aspect of my own process. It is not intended as an argument for the superiority of any one artistic device. Reilly’s palette “consisted of nine equidistant values of neutral gray mixed at the top of a glass palette. Below that row were 9 equidistant… Continue reading
Now, if we are speaking of strict observational replication, we do not need to conflate our process with anything more elaborate than standard “ground-level” classifications of visual elements. Let’s take value for example. If my goal is limited to the strict replication of a spherical model, my aim is to apply and arrange values in… Continue reading
Our guests will range from curators to chefs, tattoo and graffiti artists to an artisanal bicycle maker. As many of these craftspeople frequently use painting as a metaphor for excellence in their own sphere, our conversations will explore this link in the interest of restoring a broader devotion to skill in the arts. We aim… Continue reading
The article began by establishing the idea that just because you have seen a photograph of something does not mean you know “exactly” what something may look like. While I understood the basic groundwork that the author was trying to establish here, the opening signaled that what would most likely follow would be a series… Continue reading
MIND BLOWN. I have recently learned of an exhibit being put together to feature many of the works from the Star Wars Visions project in Japan later this year. While being able to participate in this project was just incredible I have not thought about it in some time or looked into how the works… Continue reading